Last Wednesday Mrs A and I were out and about again. We headed off from the sleepy shire into the sprawling urban metropolis that is Leicester, to see Mark Thomas’ new show Trespass.
After parking the car and before walking down to The Curve to catch the show we stopped off for a curry at Kayal on Granby street. We’ve eaten there a couple of times in the past and the food is always good (for which they won an award in 2008, as the gently ageing sign tells you). One of the many things I like about Kayal is that there is no chicken korma to be seen on the menu. I ordered something from the menu I’d never heard of before, the waiter looked vaguely alarmed and told me what to expect, which I took to mean it might not be quite what customers generally expect and he was heading off complaints before the food arrived. we pressed on anyway.
Mrs A ordered an aubergine dish and a paratha bread. The food arrived (mine was a chicken curry with rice dumplings in some kind of spicy coconut stew) they were both lovely. You should go, trust me. Just as good now as 2008.
After food and a couple of pints of Kingfisher to the good we made our way down to the theatre. Mark Thomas came on stage and headed off as he meant to continue by haranguing the venue for the exorbitant percentage that they wanted to take a commission on his merchandise. He told us that in order to stick it to The Man he was going to head out into the street at the interval and sell to anyone who wanted a “Domestic Extremist” teatowel they could get one then and the commission that would have gone to the venue would go into a hat for a charity helping refugees in Calais. Perfect.
So the show passed in a blur of right-on, expletive-strewn, thought-provoking laughs based around the awful move towards selling off public spaces to big business and its impact on Joe Public. One of my most favourite bits was the photo of him being wrestled to the ground by bank security guards whilst dressed as Sean The Sheep beamed onto an enormous screen behind him. He looked deadpan at the audience and said “it’s hard to tell who’s lost the most dignity here, isn’t it?”. I laughed like a drain.
Come the interval, and after the show too, he was indeed outside flogging teatowels and generally chatting to people like a regular human being. It was great, although a highly developed sense of social conscience and comedy timing clearly doesn’t translate to supply chain skills as he’d run out after about 5 minutes. We never did get one…
I’ve been a fan of his since I first saw The Mark Thomas Comedy Product back in the mid 90s and he’s just as funny today. Mrs A is now worried however, that she’ll get a call at some point asking her to collect her sheep-outfitted husband from some police station.